The Day God Fled

The Day God Fled: A Small Axe Tale

1.

The straw hut was hastily built. A construct far beneath the standard of the Malian king, Ekon, a man known to want all things made by his men to be the best. He saw shoddy work as a reflection of shoddy leadership, and he was not one to tolerate that accusation. Despite this, the rickety hut labored under the rare winds and rain successfully. 

The five men sitting around the fire were dry and growing impatient. They had eaten their vittles— fruits and pig meat delivered from the distant palace. They had emptied their gourds of fresh water and sweet wines.  Now they waited. The five were known to one another, neighbors, all fighting men of Malia who appeared for this very special detail.

Youngest of the men, Kuyu, was growing restless. He turned to his father, Zane, and said: “Baba, the outsider makes us wait overlong. If we continue to drag our feet…” The father interrupted his son’s concerns. Motioning for the youth to shush. He recognized the young man’s fire and felt it, too, in his own chest. But it is foolish to rush where even the king dared not tread. 

The special whistle is heard. Kuyu peeks out of the door. He waves the flag, the special embroidered cloth of the village which had become the unofficial symbol of this clandestine mission. The message relayed. A sixth man is escorted across the plains. A man who fully covered the ground he stepped upon.

The shadow of the man was impressive enough. The rain beat his chest and back. Droplets rolled away as much from fear as they did from the nature of liquid. Kuyu gasped at him, soon uttering to himself: “The outside man truly is a giant!” Space was made for the new arrival, a log or two added to the fire as well.

The king’s vizier was dressed smartly. Beautiful red robe with gold lining in the seams. He even wore red pointy shoes and a nice hat. All of this gave an air of importance and wealth. Yet, he was careful to arrange the meeting at the hours where jackals stalked the plains. He was clearly afraid of something—but what?

Douga, the king’s vizier, began in a pleasant tone: “You have all been gathered for the mission—to liberate Malia. The king has agreed to grant your desires in exchange for the end of sorcerer rule in Malia. Is anyone misunderstanding why they are here?” The room was silent with understanding. “Splendid! I suppose now we can discuss this…” 

Douga plied the men with a map of the target. A small and humble village which was built around a massive cathedral centered in the middle. “Not only is it an eyesore but the king finds the priests who inhabit the place to be abhorrent. Their deaths will aid Malia greatly,” said the Vizier. “Weapons, food, all will be delivered tomorrow night,” he continued. “The map will give you an idea of the terrain and a chance to strategize how to take the village. Study it and I will return in two hours.” He handed the map to Zane, then scampered off into the night, leaving the others to their pressing mission. 

2.

Zane, a lanky father of six, warrior turned farmer, was the most experienced combat fighter in the group. He had survived many conflicts using his wit and ferocity. He prayed years of herding cattle and inactivity had not rusted his skills too badly. His eldest son sat at his side, watching the elder intently, Zane, could feel his gaze. 

It was amazement, a deep satisfying surprise. Kuyu had only known his father as a farmer, what a pleasure it was to see how his military mind worked. Zane knew the target village as well as he knew his own. To infiltrate it, a breeze, according to Zane.

The map in hand, the team began to discuss work distribution and tactics. The men of Malia rotated in the conversation, the outsider kept quiet. Though he did not say much, the man’s silence was an argument in itself. “Do you have anything to add, stranger?” Zane asked politely. The bigger man snorted and shook his knotted head no. 

“Wait a minute!” cut in Bobo, a stern warrior who sat quietly also. “Should this man not have to introduce himself? He is unknown to me. I shall not be tasked with putting my life in the hands of a strange man.”

“The king chose him for good reason,” said Zane. “He is a hired man.”

“All the more reason to make sure his size is not for show…” Bobo sharply replied.

“I must admit. I am also interested, Baba…” said Kuyu. “This man is dressed strangely. Barefoot in the plains like this? The man is begging to be bitten by snakes. His clothing is tattered and he wears strange shells around his neck. From his bronzed skin to his unkempt ways, this man is clearly not even Malian!”

The other men murmured in agreement. Zane nodded to his friends, “Then we shall ask the newcomer to tell us about himself and his land. What brings you to Malia, friend?”

Fire roared as the five awaited for the stranger to speak. “I have come…” he began, his voice heavy and strong, “I have come to find a home. I have no home. I have no family. All I have is my strength and my hands. The king will give me a home in Malia for my assistance in this mission.”

Bobo was suspicious. He leered at the large stranger. “A man with no clan of his own? A man is nothing without his blood and kin! His family is all! Zane and Kuyu risk their lives to save their kin. I do so out of respect for my beloved clansman, as do Oringo and Rajabu. The sorcerers can offer you far more than the king, and once you hear their whispers you might just switch sides! How can we trust you?”

The large man turned to Bobo, icicles in his stare, “A man can say much about another and feel safe. But none can question my loyalties once they are given. Our bond may not be in blood or clan, but my word is stronger than your earthly ties.”

Bobo snorted, now, derisively. “Trusting strangers is what got us into this mess! The king’s lack of faith in Malian Gods and Malia Men has done us a disservice once before.”

Zane interrupted, “Yes, on that note, I must ask a question. Stranger, do you know why these people must be killed?”

The stranger had to admit the vizier had not told him much. “I was told the king had heard of my exploits elsewhere, and that for a handsome reward of gold and roof, he wished to bring me on this mission. So no. I do not know what wretches face my spear. Perhaps it is better not to ask.”

“No. No. No…” chided Zane. “No man should ever kill another, or join in the killing of others, for unknown reasons. I shall tell you why this deed must be done. At the end, if you do not feel comfortable, then leave. But if you are a good man, the tale shall stoke the fires of hatred in your blood.”

“I am listening,” said the stranger, who gave Zane his full attention.

“The Seven are our prey,” said Zane. “Like you they were once strangers to Malia. They helped us fend off the vicious Uromo peoples. The story goes as such:

“The Uromo men of the plains would say cattle were above all. They would price cows above a human life, no pondering needed. They saw no qualms with spearing any man to his death, the same can be said for women and children. Any who stood in their way was subject to the spear. Those of us with good sense, and moral character, knew better.

“The cattle raids began sixty years past. The Uromo suffered hard times. Their crops failed throughout the lands. Drought, some said. Life got difficult for them. No crops meant trade between Malia and the Uromo stalled. Horrible tales soon spread. Stories of these once brave and proud peoples eating their own pets to stay alive. Their civilization was in dire straits. How sad it must have been to see our beloved brethren sink to such lows! 

“However, the pity in our hearts vanished when they turned their spears on us. Sons of Malia, like my grandfather, were ambushed during hunts. Our farms raided, cattle and crops looted. Huts burned. We produced, the Uromo stole. 

“We told ourselves it was only to stave off death, and the terrorism would be over soon. We told ourselves it was rogue elements within the Uromo peoples, not actions sanctioned by their chiefs. We were wrong. The Uromo had made up their minds. If their land had forsaken them, then they intended to take ours.

“The king declared war with the Uromo—a starving society of violent men. The Uromo chiefs wanted our blood to soak the sands, our cries of pain to pollute the air. They blamed us for their suffering and wanted us to make recompense. 

“For many years we fought them. Our best farmers fled in the dead of night, for safety. Our best warriors either died, or were crippled in battle. We looked to be on the verge of falling under Uromo sway. Something had to be done.

“Then the Seven appeared. They were priests, or so we were told. Priests worshipping foreign gods. The king was desperate to beat back the Uromo, so he listened to them as they pitched a plan. They whispered in his ear all they could do, how their Gods and power could end the Uromo threat once and for all.

“The Uromo way of life disgusted our king. The scavenging. The lawlessness. Stories of their daily atrocities turned his stomach. He saw the Uromo consuming our society, their foreign ways pressed upon Malian peoples. The clothing, the language, the attitude. Malia ceased to be Malia, it was becoming more foreign by the day.

“Malia was a rich and proud society, strong Gods and morals, but the king was obsessed with destroying the Uromo above all else. He agreed to accept their assistance, to spare more Malian blood loss, and the dark ones began to do their work. Conjuring up the devil-gods they serve, in tongues foreign to us all, they engaged in battle with the Uromo.

“Their sorcery was strong. Their Gods held court and before long scores of Uromo dead began to litter our roads. The Uromo chiefs were captured, dragged to our king kicking and screaming, pleading and petrified. Upon the execution of the Uromo chieftains, the Uromo peoples were expelled from our lands. We had finally won. Or so that is how history records it. In reality, The Seven had won.

“The Seven’s prize for their assistance was to be named chiefs of Naiser, a small village in Malia. There, they began to cultivate power. Over the next several decades Naiser became a zone autonomous from the rest of Malia. A place were the king’s title and name meant nothing, and all of us in the surrounding villages were subject to The Seven’s abuses.

“Our sons and daughters were taken to populate their village. To live among them as servants and slaves. We built their chapels, we tend to their farms, we fetch their water and feed them. Our daughters are sent home pregnant, if they come home at all. Our sons return shellshocked, mentally broken by the experiences in Naiser. The only way to keep your child from being taken is to buy protection. Some wives left their husbands to keep their daughters home. Fathers sacrificed themselves so their sons could be free. And there was nothing the Malian king could do.

“Many warriors took up arms against The Seven, each one massacred and his body strapped to the wall around the village of Naiser, a message for us to keep out. Naiser has become a void in these lands. Anything which comes from it is corrupted, broken. We five will enter Naiser knowing we may not ever leave. It is only fair you understand what you face…”

The stranger looked at the determined faces of the party, each man not so much as blinking at the thought of death in Naiser. And the stranger nodded, “I am now aware that the people to die are sorcerers. I intend to send them to their God in pieces.”

Bobo smirked. Kuyu clapped. The other men nodded in agreement. “And so what shall we call you then, stranger?” He offered his hand in friendship.

“My name is Small Axe,” said the stranger, gripping Zane’s hand tightly. And all the men gasped in horror. The Butcher was among them.

3.

Kuyu, the youth, was the only one who didn’t fidget at the naming of the stranger. Small Axe! Even his father released a deep sigh at the announcement. The small space became chilly, the wind and the rain outside might have been the cause but the others knew it was the presence of Small Axe.

Bobo was the first to clear his throat, breaking the silence which had fallen. “You mean to tell me that you’re Small Axe? The Spear of the Gold Coast?”

The stranger nodded yes.

“HA!” said Bobo. “My sons never told such a tall tale! To think, Small Axe, a man known across nations is here in this hut with us! I don’t believe it.”

“I don’t care,” Small Axe replied sharply, then he laid back and closed his eyes. “I am who I am.”

“Many strangers have used the name Small Axe. Warriors, wrestlers, thieves, each one looking to coast on the reputation of the man. How do we know you are the genuine person? My life is in your hands, I demand honesty!”

Small Axe sat up, grumbling to himself. “When the time comes, my reputation will be proven…”

While Small Axe and Bobo bickered, Kuyu whispered to his father: “Who is Small Axe?”

Zane quietly replied, “Small Axe is more myth than man. We have heard tales, in recently years, of an ox-strong adventurer and master hunter. One who plunders sacred places in search of gold and gems. But he would be a rich man, a king himself, not a homeless welp…”

Small Axe’s eye cut to Zane. “The gold and gems are gone. Of the five missions attributed to me, only one was successful. The loot was split fairly among many. I had barely enough gold remaining to make it to Malia.”

“You’re a graverobber,” said Oringo disdainfully. “You disrespect your ancestors, and in exchange they deny you wealth and warmth.”

“Maybe so,” Small Axe replied. “But I don’t know who my ancestors are.”

Zane chuckled, “A tree with no root, merely a seedling looking to plant and bear fruit? I understand. We shall proceed as if this man is truly Small Axe and badger him no more on his identity.”

Oringo was a waif compared to the other men. Clearly poor—all he wore was a loincloth and sandals. His dark hair was unkempt and knotted. He scowled at the thought of graverobbing, of stealing from the noble dead. 

Rajabu, on the other hand, wore long pants, shoes and a long sleeve shirt. He was clearly someone important, despite his quiet demeanor. Small Axe noticed he dressed like a man who had spent time in the towns, not like the others who were clearly tribesmen from the jungles and the plains. Rajabu felt the gaze of the large man and began to toy with his knife. His intent wasn’t to threaten, merely to inform.

Small Axe smirked and laid back.

Douga returned an hour and thirty minutes after he left previously. He came with weapons and charms blessed by the king’s best holy men. “Have you a plan, Rajabu?” he asked.

Rajabu looked to Zane who nodded. “We’ve discussed tactics,” he replied. “Our issue is personnel. This man claims to be Small Axe, adventurer and graverobber. We cannot rightly be asked to risk our lives without confirmation of his identity.”

The vizier brushed rain from his shoulders and hat. “The man is Small Axe, yes. The king is sure of it, anyway. Doesn’t matter really, does it? If you all work together then the plan will succeed, right?”

Zane and Rajabu both nodded. 

“Then all is well,” Douga said with a smile. “Everything you will need for the raid of Naiser will be in this hut. Now that you all have met, and are familiar with one another, you can go home. But remember, not a word to anyone and meet here at sundown tomorrow. The rest of the supplies will be here and we can begin our trek to Naiser.”

“I will stay in this hut,” said Small Axe. “I have no home, so this will do.”

“As you wish,” Douga replied dismissively. “The rest of you scamper. Go love your wives and children, for it may be the last time you see them.”

4.

The day went by normally. Kuyu and Zane tended to the farm as they normally would. The cows were milked; the yams were nearly ready to harvest. Oringo fished in the lake, taking his catches home to his wife who butchered the and prepared the meal. Rajabu sat restless, concerned about the task her was asked to perform.

He was afraid, Rajabu was. Zane is his kin, an uncle. His cousin, Tanna, was taken by The Seven. He was duty bound to leave the comfort of his town to return to the villages for this work. He remembered a conversation he and his uncle had when they were approached by Douga.

Zane had come to town panicked and afraid. The Seven had sent emissaries to collect young girls for the harem. He had failed to protect his daughter, quivering under the threat of spears from The Seven’s personal army. He thought of protecting his wife and his other children, so his daughter had to be sacrificed. 

The commotion Zane made in town did not go unnoticed. Zane’s brother, Sambar, Rajabu’s father, appealed to the king. A man known to the king had rarely been victimized in this way. The Seven were usually more careful in picking prey. 

Cousin Kuyu was a relative unknown to Rajabu. He was a mere babe the last time they shared a meal. It was as if the boy had sprung up overnight. 

“How old are you now?” Rajabu asked Kuyu who shoveled millet into his mouth.

“Fourteen,” said Kuyu, munching.

“A man now, are you?”

Kuyu pounded his chest. “Yes! I am a man and I must protect my little sister!”

Rajabu saw Zane smile. A bright, proud smile. He wondered why his father had never shown him that kind of attention. He scooped millet into his own mouth. 

Douga appeared, then. He spoke with Zane and his brother, then the two younger men were invited to join them on the street.

“The king has decided to kill The Seven. A small team of assassins will invade and liberate the village,” the vizier informed them. The plan to infiltrate Naiser and to remove The Seven forever was born that moment. Unfortunately, Sambar was deemed too old to fight, and so Rajabu had to take his father’s place in this scheme.

What horrors! Rajabu had barely started his own life. He cursed The Seven. He cursed his father. He cursed his uncle and cousin for dragging him into this. But there was a positive gain to this. If he succeeded, then perhaps the young woman he had been courting would be more amenable to laying with him. The thought of her made him grin mischievously, and then, warmly.  

Sundown came. Oringo kissed his wife goodbye, telling her he was going on a late night hunt. Zane and Kuyu slipped away to meet Rajabu on the outskirts of town. The four of them walked eight hundred and four meters to the hut where Douga and Small Axe waited for them. Bobo, who had all but disappeared, was the last man to return. 

Their shields were uncompromised, the spears and knives sharpened, and the blessings were applied to necklaces and amulets around their necks. There was food for the journey as well, all prepared. 

Douga scanned the party. He helped each man apply a mud mask, smearing it onto their skin and face to appear more intimidating. It was the final touch. There was nothing which could identify the king’s involvement, and yet the warriors were ready to engage. 

“If you all hike south, you will make it Naiser in the dead of night. Make it clean and quick, yeah?”

Zane and Bobo stood at attention. Kuyu and Rajabu followed suit. Oringo and Small Axe nodded in the affirmative. 

“Good hunting, fellows. I’ll you here when it is all done,” Douga said with a grin. 

The team sneaked off into the dark, hunching and creeping through the tall grass along the way.

5.

What place had The Seven emerged from no one knew, and the sorcerers had no intention of sharing that information. In their number were five males and two females, and often they chose to refer to one another as brother and sister. Were they blood kin? Another mystery The Seven left unanswered. 

One clue of their kinship was how all The Seven suffered from the same affliction: impossibly white spots upon their mud brown skin. Many who have seen them thought them cursed or divine, depending on one’s perspective. They were the center of two worlds, the Earthen realm of Man and the Unnatural realm. Whether they served Devils or Gods was also a matter of interpretation. 

The Seven referred to their deities as Gods, themselves as Angels brought forth to bless Malia and keep it safe. However, the terrors which they perpetuate upon the populace would suggest they are anything but. When, at times past, a king of Malia questioned them he was told sternly: “It is not for you to understand” and that was all.

Naiser was a wholesome village to the naked eye. A massive temple of worship surrounded by seven well-built homes. Extensive well-maintained farmland, a good yield of corn and acres of peanuts and sorghum. Fishermen carry home buckets of the day’s catch. But under closer scrutiny one would see the skeletons, the literal skeletons, of Naiser. 

Men were flayed. Their flesh melted and their bones tied to string and placed strategically around village. Skeleton guardians were placed along the road. Were they warnings or protectors? 

The inner sanctum of the village was weapons free. It was a village of empty hands; one was not even allowed to keep a small spade in which to do the day’s digging. The Seven had learned from slave revolts not to keep certain tools lying about, so they were often put away. 

The Seven had nothing to fear anyhow, each of them possessing power enough to level any man or warrior. It was this power what kept King Ekon and his ancestors away from Naiser. None wanted to clash with the sorcerers. The King lived in constantly the Seven would demand more land be ceded to them if they were disturbed.

Of all their great gifts one was the most useful. Iniko, a female who spent most of her time in trance, saw bits of the future. One such peek into tomorrow showed her the force which descended upon them in the dead of night. Her sister round up the slaves. Four of her brothers prepared the warriors, and the fifth went to the kennel where his starving hyenas await.

“Dearest friends,” said Fulo, Master of Animals, with a whisper. “They have come to take our lives. But they will end your hunger and quench your thirst for blood! Go! Go my friends! Find the ones who wish us harm and devour them!” Dozens of ensorcelled beasts bolt across the plains, ravenous and violent.

Torches burned in the night. Iniko was visibly nervous, Brother Sufi saw beads of sweat upon her forehead. Quickly, she disregards his concern. “I am tired is all,” she lied. “Sufi, it is best if you and the others stay prepared.”

Sufi scoffed. “There is nothing for us to fear, is it? It is more fools sent to die, to be sacrificed to the Beyond. Fulo can handle it. I will retire for the night.” He turned to leave but Iniko grasped her Sufi’s arm, a sign of desperation. Her eyes concerned him. “Is there something we should know?”

Iniko stuttered. Sufi kneeled to face his sitting sister. He caressed her face gently, “What is it, Iniko? What did you see?” She could not explain it. Knowing the power of words, almost as well as her sister does, Iniko bit her tongue. 

“Sleep tight, brother…” she said, then she let his arm go.

Sufi turned on the balls of his feet and exited the temple, leaving Iniko alone with her thoughts. She looked to her manservant, a brawny man who seemed to be made of twisted stone. Iniko reached for him, and in an instant he was there to help her stand. 

“Have you drawn my bath?” she asked. The man nodded in the affirmative. “Good. Stay with me but prepare the rest of the men, we are being invaded.” The slave nearly staggered in surprise. Iniko continued: “Sufi may be confident enough to sleep but we must remain vigilant. Make sure Odion is awake to led the men into battle.”

A ghastly thing floated through Naiser, harassing the young women who had all been huddled together in Sarama’s dwelling. The diminutive sorcerer shooed away the ghost with a command: “Taj, leave!” The ghost vanished in a puff of smoke. 

In his home Taj opened his eyes, a mischievous grin on his face. Haunting slaves and nearby villagers was always a hoot. He cackled. Then, he heard the sounds of the rushing hyenas and he peeked outside. He sent his ghost form out into the village once more, this time to gather information.

He saw the warrior slaves being rounded up under his brother Odion’s watchful eye. 

“What is afoot?” he asked Odion.

“The king has sent killers again, Iniko thinks these men deadlier than we’re used to. We should be cautious.”

“Oh, how I wish they were dangerous…” replied Taj. “We could use a little danger. Sitting around here being pampered can get a bit boring. I guess Ekon forgot how powerful we are…”

Odion laughed. 

“With you on the case, brother, I am sure the Gods will be pleased with the king’s sacrifices. Be kind and send a slave girl to my quarters. Have fun hunting!”

A hole had been dug on the outskirts of the village. The hole was about three feet deep, pieces of stone lined the floor and walls and filled with fresh water. Iniko slipped off her dark red robe, slipping into the water with her muscular spear-wielder by her side. Laying in the water hole, Iniko began to admire the moon. 

“Master, it’s time isn’t it?” said the man, his voice soothing and dutiful. 

“I’m afraid so,” Iniko replied. “Soon we will be parted. You will die tonight.”

The man took the news without flinching. “I have never questioned you before but you are wrong,” he replied. “Not even death can part us. I defected from my clan to come here—to be with you. No spear, no knife, no magic can stop me. Blood wasn’t enough to keep me away, nothing will.”

Iniko grinned. She saw the moonlight shine off of her warrior’s skin, and she reached for him taking his hand in hers. The man’s body froze in shock. Their eyes met, and he wondered if it was were real. “Join me,” she said sweetly. The man planted his spear in the earth, and slid into Iniko’s arms.

6.

Trudging through the high grass, the assassins crept closer to Naiser. Occasionally they step over the remains of a lost battle. Broken spears and bows, loose arrowheads and knives littered the fields. Of course, there were also plenty of bones. Human bones. Some small enough to be identified as child bones. It was barely visible in the darkest night but enough to spook Kuyu.

The youth stuck close with his family. The five kinsmen trekked on Small Axe’s heels. Somehow he had become the unofficial leader of the strike. Not that he minded. He had the sharper eye, which he used to see in the moonlight. The keener sense of smell, which allowed him to notice the powerful odor of hyena secretions. The better trained sense of battle, which made him more alert. And the fearlessness, which made him most fit to lead much to Bobo’s dismay.

The other men were far from home, chattering under their breaths about the journey. Small Axe was focused. Then, from the distance came a sound. Small Axe knew the sound instantly. Some forty hyenas bolted through the grass. “The hell?” cried Oringo, as the creatures leapt through the air. 

A hand axe made of stick and stone swatted the creature mid-flight. “On your toes, man!” commanded Small Axe, after saving Oringo. 

The dogs were on them biting and scratching in the night. The hyena were too mobile, too vicious for Kuyu to use his bow, so he opted for swinging his spear like a club keeping the animals at bay. His father, Zane, was more patient. He retreated to back himself against a tree, waiting for hyenas to pounce before skewering them.

Rajabu and Oringo stood back to back, circling, keeping the hyenas from attacking from behind. And Small Axe charged, violent and thoughtless as the beasts he battled. His spear took six or seven as he ran to Kuyu’s side. The boy dared not run but he had no experience fighting brutal animals such as these. 

Kuyu lost his father in the grass. The darkness covered his vision, his heartbeat thundered in his young chest. “Baba!” he cried out, as he backed away in the grass. “Baba, I do not see you!” He also missed a hyena lurking, the creature pounced catching the youth by arm. He howled in pain. The boy was in the hyena’s grasp, but only temporarily, as Small Axe was there to pierce the beast and free Kuyu.

The boy’s bicep bled, his arm felt useless. “Stay with me, child!” ordered Small Axe. Kuyu lifted his spear with his good arm and did as he was told. 

Bobo joined Zane near the tree, informing him Kuyu had been bitten. Zane was shaken. “As his father you had best be sure your son is ready,” Bobo said. “Tragedy would be to watch him die. Horror is for all of us to die with him!” Though annoyed, Zane understood the sentiment. He hoped his son would be okay.

Soon, the beasts had all fallen. Kuyu was the only member of the team with a serious wound. The others suffered minor scars and were more scared than anything.

Zane ran to his son’s aid. Kuyu kneeled in the grass and Rajabu placed some blessed herbs upon the bite, then tightened a strip of cloth to prevent further bleeding. 

“Our supply of blessed herbs are limited,” said Rajabu. “Using some so early into the battle is a bad omen.”

“It was necessary,” Bobo replied. “Kuyu is just a boy…”

“NO!” Kuyu protested through the pain. “I’m not a child…” His young eyes found Small Axe. “I’m a man! Like all of you. A real man. I ju-just got a little scared.”

Zane approved. He pat his son’s head in comfort. 

Small Axe offered no debate. He merely allowed five to ten minutes to rest, to get their adrenaline down and to allow the herbs to do their work. Once the short reprieve was done, the team was back on the hunt.

Deeper into The Seven’s territory they traveled. The open air graves were more numerous. Soon, they came across a thick pole, planted in the middle of the open fields. Affixed to the pole was a skeleton, who seemed to be bound in place by rope. Oringo’s teeth grated in his mouth. He tired of seeing death already. And yet there was still more to go!

Twelve warriors waiting just outside the gates of Naiser. Painted faces, each one marked with the seal of The Seven upon his chest. Red clothes worn by each, same as their master’s. Leading them was a man with brass skin, wearing a red robe with shimmering white trim. His face discolored, splotches of whiteness near his eyes and lips.

“I hear them coming,” he said with a sure grin. “Seems this group is the real deal. Fulo’s hyena gambit failed. No matter. Sufi’s magicks and my power will be more than enough.”

Torches were lit by the robed man’s fingers. He was able to see the killers approaching. He smelled the blood in the air, their fear tingled on the back of his hands. What joy.

“Come forth trespassers!” he called out. “Odion commands to see your faces!”

In the shadows, hiding behind a tree, Small Axe waited. He took a moment to count the foes, then he turned to Kuyu and Zane. “The bow and arrow. See if you can’t strike some of them down from here.”

Oringo opted to take Kuyu’s job as bowman. He positioned himself, loaded the sharpened stone arrow and stretched back the string. 

“Aim for the man in the robe,” said Small Axe. “Cut off the head of the snake.”

Oringo nodded in acknowledgement. The torchlight made the shot nearly impossible for one to miss. So he released the arrow. Great speed through flight the arrow had, yet it missed the mark. The robed man was unharmed. Oringo grumbled to himself, “How could I have missed?”

He reached for a second arrow, taking his eye from the robed man for merely a moment. 

Fwoosh. 

A wave of fire engulfed Oringo. He rolled around in the grass, wailing in pain. His teammates jumped to his aid. Small Axe never moved. He saw what happened. The robed man had thrown fire. 

Like a bull, Small Axe snorted in derision. “Dammit all,” he said before ramming his massive fist into the tree trunk.

Zane and Rajabu poured water on Oringo, emptying their spare water gourds to save his life. Despite no longer being ablaze, Oringo was in crippling pain, clearly unable to continue. The sight of Oringo in such a state dried Kuyu’s mouth, now he was freighted. 

“Come out and fight us like men, or I cook you all!” hollered Odion. 

Small Axe reached out, grabbing Oringo by his unburned arm and yanked the man behind the tree. “Kuyu, tend to Oringo. Zane, Bobo and Rajabu, come with me. We must battle these men.” 

Small Axe led his team and soon stood in the light of the torch facing the insidious Odion. The robed man pulled back his hood to stare into the painted face of his opposition. He leered. Something about the man exuded force, like staring at an old tree. 

“King Ekon has sent us more fools to sacrifice,” said Odion. “Six for the pyre this time. Apep be praised.”

Zane tightened his grip on his spear, pointing it at the heretic witchman. “No Gods by that name in this land!” he replied. 

“Your king knows better,” Odion said with a grin. “No king rules without divine force. Ekon gets his authority from us, who gain our power from Apep. You were sent to die. You must have been quite bothersome to your sire.”

Small Axe twitched in annoyance. Zane feared the words of the sorcerer true. Bobo and Rajabu studied the faces of his motionless warriors, each one just waiting to be sicced upon the group. 

“Warriors of Naiser!” called Odion. The men raised their spears. “Kill the invaders now!”

Rushing forward they came, battle cries hollered among the chirping crickets. Long knives, sharp and cold, dangled from their hips. Spears in one hand, shield in the other. The two groups crashed in one bloody fight.

Small Axe quickly proved to the superior of most men. His spear pierced shields with ease. His fist crushed jaws and his snatched blades from hands. The other men worked as a team. Zane, Rajabu and Bobo protected one another jealously and violently.

Odion was surprised to see Small Axe fell men so fast, and soon was charging recklessly in his direction. Odion’s palm torch seared the ground. Small Axe leapt out of the way of the fireball. He ducked and rolled to the side. Odion merely launched fire in his direction. Small Axe nimbly slipped the blaze once more.

While Small Axe battled Odion, the rest of the team fought the warriors of Naiser. The men were well-built, non-verbal, and uncaring. Losing comrades did not bother them, they were not much different from the hyenas—operating off of pure instinct.

Outnumbered, the men still fought valiantly. Using teamwork and brotherhood they managed to beat back the larger force. The Naiser men left their wounded to die. On the contrary, Rajabu was worried when Zane dropped his spear and was hastily there to aid him. If the larger team had worked as a team, they may have won…but alas, they all fell.

Odion was now the sole standing member of his army. Small Axe had caused a diversion, successfully. Now four spears were aimed at him. The sorcerer did not falter, however, he merely brightened the torch. 

The bright red robe of Odion has lit ablaze. Soon, Odion was engulfed in fire. “Apep! Your servant begs for aid. Grant me the power to crush these infidels!” Odion’s kin caught fire and there he stood a human inferno.

A wave of the hand scorched the earth. The invaders fell back. “Now you flee?” laughed Odion, Flames leapt from the sorcerer’s throat. 

Rajabu was caught in the fire. He stumbled and fell, favoring his right leg—which had been burned. Zane hurriedly launched his spear through the air at Odion, who destroyed it with fire. While the sorcerer was distracted Bobo turned back for Rajabu, grasping him and dragging him to safety.

Odion was once more preoccupied with Small Axe. There was something about the man which exuded danger, he needed to die first. 

Never had anyone seen such a large man with such agility. The seemingly giant Small Axe rolled and tumbled in the grass to avoid the fire, leading Odion away from the other men.

Then, an arrow whizzed through the night finding a home in Odion’s back. The sorcerer growled in pain, and spun around to find the young Kuyu with his bow and his eyes swelled with tears. “Oringo is dead,” the boy cried, then he loaded a second arrow. 

“NO” cried Zane to his son. “HIDE! HIDE I SAID!”

Kuyu wasn’t listening. The last thing he’d heard was Oringo shudder his last breaths, prayers to God and family.

The sorcerer prepared to torch the child, taking his eye from Small Axe—who made him pay for the mistake. One of the blades wielded by Naiser men was lodged into Odion’s skull. The sorcerer dropped into the grass, dead. 

Small Axe took a sharp breath. Zane ran to his son’s side, chiding him for getting involved. 

Bobo helped Rajabu by using some of the blessed herbs, smearing it on his wounds. “Were those men slaves or willing fighters?” Bobo wondered aloud, staring at the corpses of the Naiser men. He hoped for the latter. 

Killing slaves brought no honor, regardless of circumstance. He was a true warrior. No fisherman. No family man. He had lived his life alone, dedicated to his people and his chief. He born and bred for this, and the lack of care for comrades concerned him greatly. The Naiser men seemed less than human.

Small Axe took Zane by the arm, moving him to the side gently. “You truly are a man,” he said to Kuyu. “Thank you.” He offered Kuyu his hand, and the youth took it. “Fine son you have,” he said to Zane. “A fine son, indeed.”

7.

Taj often enjoyed physical pleasure while at the same time in ghost form tending to other tasks. Usually, the things he sees are benign, and he has to travel far to find interesting sights. On this night, however, there was a bloody battle right outside the gates of his village. Fine entertainment indeed. Unfortunately, the ghost form was close enough to watch Odion die. The vigorous love-making ended abruptly, with Taj leaping to his feet in shock. 

“What the hell has happened?” he cried. Splitting from his ghost form once more, he went to find the other sorcerers. 

He came across Fulo first. The fat man was on the farm feeding the hogs. Taj was breathless, quickly explaining what he had witnessed. 

Fulo listened to the story, then looked to the sky. Yes, he saw the vultures above and through them the story was confirmed. The vultures looked to finally feast on the corpse of a sorcerer, a rare treat. Fulo was appalled, then forbade them from feasting on any of the fallen men.

The two ran to Hatari’s hut, where the man was conjuring and experimenting with new brews. Taj’s ghost form woke Sufi from his arrogant slumber, “Odion has been killed!” he cried. Sufi thought it was a nightmare but no, it was very real. He immediately sought our Sarama next.

Five of the Seven met in the temple while Taj’s ghost form went to search for Iniko. “How could this be?” questioned Sarama. No one offered an answer. Taj had seen the whole battle, watching it gleefully until he saw Odion fall. The sight was burned into his memory, a tragic end for a brother. 

Clear thinking was needed, now. This was Hatari’s strong suit. He created a plan. “Odion enjoyed battle a bit too much,” he said. “No need to panic. Caution is needed. We shall crush them completely, heart and soul, and then we shall enslave their flesh.”

“Of course,” said Taj with a smile. 

The invaders left Oringo behind, there was no time to mourn. They entered the village in search of the slave stocks. There, they hoped to find Tanna. “Killing The Seven may be too difficult a task,” said Bobo. “Let’s just find the girl and steal her away. We’ll steal as many of their slaves as we can find!”

The warriors looked around. The streets of Naiser were clean and well-maintained, more like the city of the King than a small village in the eyes of Rajabu who limped along waiting for the pain to cease. 

The temple caught their eye. An exquisite large stone structure, handcrafted with architecture which would make King Ekon proud.

“The slaves are probably kept in the temple,” said Small Axe. “We have to go inside.”

At the door of the temple, Rajabu began to get nervous. All of the men felt the deep evil inside, yet when they stepped inside it was nearly a palace. 

Taj found Iniko in the arms of her slave-warrior-lover in the bath just outside the village.

 “Girl, we are having an emergency!” he said hurriedly. “Come quick!”

“Odion is dead already, hm?” Iniko replied softly. 

“You knew he would die?” questioned Taj.

Iniko nodded yes.

“And you let him?!” barked Taj. “You let him die!” 

“Fate cannot be changed,” Iniko said bluntly. “There is nothing to be done but to accept it.”

“And what of me? What of Sufi? Or Sarama? Or Hatari? Or Fulo? Do you not care about us at all?”

“I love you dearly, brother,” Iniko replied. “But love you is all that I can do. Your time has come, Taj.”

“I’LL KILL YOU WENCH!” Taj screamed. The ghost vanished before fulfilling his promise, however.

Iniko looked into the eye of her lover, “You’d best get to the temple. They will need you.”

He shook his head no. “If I am to die, then I’ll die right here. I will not waste one more second of my life in service to anyone else but you. If you command it, however, I will go.”

Iniko placed her head back on his chest. “No. I think I will not.”

The invaders crept cautiously into the temple, clinging close to the walls. Torches lit their way, though they used shadows to stay unseen. Zane guided his son and nephew down the stairs, taking his time as to not lose sight of wither of them. Bobo and Small Axe prepared for whatever ugliness they might see, their hands tight around spears and knives respectively.

Down the damp stairwell was several cages. Unoccupied cages. From the sight of open cages and the odor of waste, Small Axe knew the cages were recently used. The slaves had been moved!

“Dammit all,” grumbled Bobo. In the torchlight at the end of the hall he saw a shadowy figure—a man in a red robe. Slender, elderly in the face with a hooked nose and discoloration on his forehead and eyes.

“Don’t move!” hollered Bobo, his weapon primed to launch at the suspicious character. 

“Not mere assassins, then?” said the man with a broken smile. “We have got ourselves some saviors!” He cackled, then coughed like a man who consumed too much tobacco. “The only true savior is Apep. Put down your weapons, serve him and live well.”

Bobo clutched his spear aiming at the man, a clear shot. Zane prepared an arrow, lining up for the perfect strike…but neither attacked. The robed man raised his arms, showing his palms and empty hands. “You wouldn’t attack an unarmed old man, would you?” he asked. 

Bobo’s tensions eased. Zane’s didn’t. There was questions which needed answering. “Tell us where the slaves have gone,” Zane commanded.

“Outside of the village, down near the river. Once they have been baptized, we have no use for them. King Ekon will just provide us with more,” said the man with a slur.

What a disgusting creature, thought Small Axe. 

Zane’s daughter was among the slaves. Calm fled him. He grabbed Kuyu and the two spun back towards the staircase.

“Oh no, if you wish to save the slaves its quicker to come this way…” the man said. 

“Excuse me if I don’t trust you,” replied Zane sharply. 

“I’m telling you. If you go that way you’ll only find corpses. Pass me and perhaps you can save some of them.”

Bobo approached the unarmed man, though he maintained a healthy distance. In the torchlight he saw something. Yes. It was another staircase. “More stairs this way!” he shouted down the hall to his party. Bobo reached out with his spear, cornering the red robed gentleman against the wall. 

“If I were not an honest man and a true warrior…” said Bobo. “I’d kill you right here!”

Zane and Kuyu slipped behind Bobo and up the stairs. Rajabu came by next, followed by Small Axe. Thick green liquids spilled from the man’s lips. Drooling like an infant! Thought Bobo with his face distorted and disturbed. How disgusting! The tip of Bobo’s spear threatened the old man’s throat. Bobo kept the man in his sights while backing away.

There was something odd about the old timer, Bobo looked closely: discoloration around the man’s ears and his hands were pure white—a sorcerer! Too close did Bobo leer, as the man spewed viscous green liquid into Bobo’s face. The man hardly had a chance to cackle before Small Axe returned to smash him in the face with a stone club. A second strike crunched the robed man’s face beyond repair. He gasped and gagged for air.

Bobo on the other hand, screamed. He fell upon the temple floor clutching his face. The sensation was like being chewed by a million hungry ants. He needed help desperately. Rajabu kneeled to aid him, until Zane aggressively pulled him back. Too dangerous. No time to waste. Tanna needed to be saved. Zane took Kuyu and Rajabu and hurried up the stairwell.

Bobo’s face blistered, boils formed and popped leaving bloody lesions upon his face. When the crying and screaming stopped, Bobo no longer had a face at all. He was dead. Small Axe looked down upon Bobo in sadness before he too ran up the stairs.

Ghost Taj was hot on the heels of the invaders. He flew through the dungeon, seeing two corpses without faces. He only recognized one: “Brother Hatari of Poison Mist,” he said. “Not you, too…” Fury was replaced with pain. Two of their number had fallen. 

The sound of chains on the street clanked as the slaves were forced to march. The slaves walked in a perfectly straight line. No talking. No fear. No debate. In front of them was a small woman, barefoot and stern in tone. “Keep walking,” she commanded and the slaves moved in lockstep.

Zane, Kuyu and Rajabu raced towards the sound of chains fast as they could. There was no thought of ambush or traps. All Zane thought of was Tanna, his stolen daughter. He longed to hold her once more, to hear her voice and to feel her skin. He began to shake all pretense of farmer—the girl needed a warrior-father. 

He held his spear while he ran. He saw a man in a robe and Zane launched the spear without a thought. A dog leapt in front of the man, intercepting the spear attack. Zane wanted to curse his Gods for the interference but he still needed their strength to complete his mission.

The robed man was rotund, his nose and eyes horribly discolored. His fingers danced in the moonlight, and suddenly a kettle of vultures began to dive on the trio. How out of the ordinary! Vultures hunting live prey? And active prey at that? Kuyu was surprised to see it, but quickly responded with hearty swings of his spear with cousin Rajabu at his back 

Zane was left alone with the rotund oddball. He pulled a knife thinking it necessary in a fight. He lunged and missed, the fat man was nimble in a way. Zane was focused, leering. The sorcerer backed away, space was needed to combat this warrior!

Slave chains clanged in the background, taunting Zane. He wondered if his daughter was among them. A moment was all the portly sorcerer needed. Speaking the language of animals they did his bidding. His winged minions upon Zane. Owls and other jungle creatures began to converge on the scene. 

Soon, the trio was swarmed with flying enemies which they could not keep at bay. For every bird Rajabu and Kuyu slayed, two took its place. The pair started to stumble and fall back, seeking shelter in a nearby hut. It proved strategically fruitful, as the enclosed space made killing birds much easier. Once the birds stopped coming, the two thought their fight was done.

Then Rajabu was bitten by a snake. A green mamba had slithered from a blind spot and latched itself to Rajabu. Kuyu hurriedly stabbed the thing, killing it. Rajabu knew the snake to be venomous. He hurried to use some of the blessed herb, the last of the team’s supply. He smeared the herb on his bitten wrist, and waited with Kuyu at his side.

Zane was overwhelmed. Alone there were simply too many bodies to keep track of. Now he no longer heard the clanging chains. He knew they were getting further and further away. Hope was beginning to slip away as his body struggled to stay erect. 

The Animal Master was proud of himself, proud of his friends who had aided him in subduing these three enemies. Now it was time to claim the ultimate victory…

Then, Small Axe ran upon the scene. His big chest heaving from the sprint, his hands clutching the stone club in one hand and a knife in the other. The Animal Master called upon his snakes, his birds and dogs to combat Small Axe. 

“Bite! Claw! Strangle! Kill him friends!” he cried. “Apep commands it!”

Zane picked himself up from the ground, covered in claw marks and bleeding from his face and chest and legs. Kuyu watched his father struggle to his feet. From the corner of his eye, Zane saw Small Axe actively struggling against beasts of all kinds. Torn between assisting a comrade and the off chance of saving his daughter, Zane the logical choice:

“Come family,” Zane ordered. “Leave Small Axe to this.”

Small Axe did not seek to combat all of nature. He focused on the fat sorcerer in the red robe. He showed off his own animal instincts to finish the work. Leering at Fulo like a lion, pouncing explosively like a cheetah and landing a knife strike as swift as a snake bite. His blade found Fulo’s throat. He carved the fat man, listening to him cry in pain before letting him die.

It had all gotten so out of hand. In the air, Sufi sensed the loss. Three of his brothers passed on. Could so many years of pampering and lavish living made them so soft? Is Apep calling in their debts? Is a rival God staking a claim? He did not know. All he did know was he could not trust Naiser in the hands of Taj, Sarama and Iniko. No. He would have to end the threat himself.

But first, he had to prepare. 

8.

One by one the chained bodies were ordered to step into the warm river waters where they lined up like a field of corn. Sarama, the diminutive sorcerer, with her discolored mouth and nose, stood on land and commanded, “On your knees!” And a chain of forty plus souls kneeled, their heads submerged under water. Then Sarama began the ritual, the sacrifice to Apep.

Zane sprinted as fast as his old legs to carry him. The two younger men had long left him behind as he paused in attempt to catch his breath. Years of inactivity had done its damage. He swore to maintain his health better in future days, but now he needed to push forward through fatigue and stress, through soreness and fear. 

Rajabu was the first to encounter Sarama. He was compelled to admire the sorcerer’s beauty, her shockingly shapely frame. Though seemingly disfigured on the skin she was still a bewitching woman, with such passionate hazel eyes. 

Kuyu noticed the bubbles under the water. He stood on the edge of the river and saw the people kneeling underneath.

“Tanna!” he cried. “Tanna!” 

“Jump in,” ordered Sarama.

Immediately a chill coursed through Kuyu’s blood, and his legs moved on their own. He leaped from the coast into the rushing lake. And soon woke, not knowing how he got there. 

“Kneel,” said Sarama.

Kuyu tried to fight the urge to kneel, but he couldn’t. Soon, he was underneath the current, eye to eye with an unknown man whose face was turning blue from lack of oxygen. 

Rajabu picked up on the pattern. He readied the spear, aiming it at Sarama. “Tell all of them to stand up again!” he commanded. “That’s your magick, isn’t it? You enchant with your voice!”

Sarama smirked girlishly, and reached her hand out. “Give me that spear.”

Rajabu’s legs followed the command. Zane made it to the lake just in time to see Rajabu surrender his spear to Sarama. “Boy! What are you doing?!” He questioned. 

“Uncle! Her magick controls your body! She’s drowning Kuyu and Tann–”

Sarama jabbed the spear into the young man’s chest. “Be silent,” she said gravely. Rajabu fell back, in shock. Sarama was distracted by the dying man, so she did not see Zane hop into the river. 

Zane immediately lifted Kuyu’s head from underneath the waves. The boy breathed deep. 

“Stop!” Sarama shouted. “Cease interfering in the sacrifice!”

Zane found himself stuck in place. Kuyu paddled in the river in search of his sister. Sarama stepped close to the edge of the water to look for him. She saw him, jostling the chains of a young girl who was already unconscious. “Sto–” she began but her phrase was interrupted by Zane yanking her foot. His legs were frozen but his arms had just enough autonomy to disrupt the spell. Kuyu put his sister on his shoulder, then turned to paddle her and her linked mates back to land. 

It was a hard job, one of those linked with Tanna was a fully grown man. He was difficult to move. Kuyu yanked the chain with all he could just to get their heads above water. The slaves were able to breathe, then began to swim on their own towards land.

Though his sister was safe, Kuyu thought of all the others. So many were on the verge of death. Sarama commanded Zane to release her, and without a thought, he obeyed. Kuyu jumped back into the water, focusing his energies on saving the smaller slaves. “Stay there!” Sarama commanded him, and now Kuyu was also stuck under the water.

Sarama looked for Rajabu, finding only droplets of blood leading back towards the village. She followed the trail, blood on the grass and found Rajabu splayed out, dead. The sight brought a smile to her face.

Suddenly, she felt a heavy whack across her head. She stumbled forward, bleeding and confused. Hiding in the grass was a man, prowling. He had smashed her in the head a stone club. Sarama tried to shake off the effects of the blow, but the world was tilted and strange. Before long Sarama fell back onto the grass, staring up at the moonless sky. 

The large man stood over her, his mighty fist clutching a stone club. There was nothing short of murder un his dark brown eyes. For the first time in decades, one of The Seven felt fear. “Don’t do it,” she whispered hastily.  “Lea—Leave me alone. Ple…Please.” A grimace came over the man’s face, one of pain and angst. Then he turned away. 

Sarama lay in the field, bleeding. Her eyes struggled to stay open, soon she dozed off…never to wake again.

Small Axe hurried into the lake pulling out as many of the people as he could. For a great number of them, he was too late. For some, it was a close call.

Zane was overwhelmed with joy. His daughter was alive and mostly healthy. He clutched her tightly in his thin arms, whispering love in her ears. Tanna clutched her father’s neck, fearing it was all a dream. Then, Zane to Small Axe: “I cannot thank you enough for your help. You are my family now.”

“The credit goes to all the men who died today,” said Small Axe. “They are the ones who made sacrifice. Now we have your child and some living captives, we must flee before the rest of the sorcerers are upon us. I count three more remaining.”

The slaves remained chained, some chained to dead bodies. They were in no shape to travel, and there was no time to console them. The dead had to be left behind, and the chains had to be broken. It could be an all-night affair to break chains. Small Axe made a quick decision. 

“Chop off the dead’s feet,” he said.

Taj’s ghost form was sullen at the sight of Sarama. The beauty was graceful, even in her sleep. The blood oozing from her ears made him fume. “It is the apocalypse,” he said, choking up. “No. We shall survive. We always survive!” The sound of exertion caught his ear, the jangling chains approached. He saw the slaves, coming forward, dragging the chains behind them.

In the front of this caravan was a large man wielding a stone club. Taj began to plot his assault, and the large man was a gift from God. A perfect weapon. Taj dived into the man’s body. 

What a fight! It was like catching a mouse barehanded taking this body. The man fought. He was strong and his mind was as strong as his back. 

Taj tried to subdue the consciousness of Small Axe, to possess him. But the invader would not go silently. The struggle was viewed by the entire group. Small Axe’s body jerked and writhed. “Keep goin’” Small Axe grunted between gritted teeth. “Go!” 

Zane and Kuyu did as they were told, gathering up the slaves they ran across the plains.

Taj overwhelmed Small Axe, holding him at bay just long enough to rampage. Using the considerable size and strength of the body. What power! Taj chased down the slaves and their protectors, amazed at how fast a man this size could move. As he ran, slower slaves were whacked with his club. “All praise to Apep,” he cried. Three were slaughtered in as many minutes. 

“Small Axe!” cried Kuyu, his chest heaving and his legs weary. “You must stop this!”

Zane protected his children, taking them both under his wing. He whispered to Kuyu, “I’m going to try to stop him, take your sister and run. Run fast!” Kuyu took Tanna by the hand, and the two fled. 

“Coward, fight me! There are no chains on me!” said Zane. Small Axe’s eyes lacked their usual controlled intensity. It was replaced with pure malice. Zane knew this man was not his friend, no longer the man he knew. “Whatever enchantment you suffer from, Small Axe—you’d best get a handle on it…” he continued, threating with the spear.

 “I enjoy killing the brave ones the most,” Taj said, using Small Axe’s mouth. 

Zane kept his eye on the children, praying for them to run faster. Small Axe charged, then swung mightily, nearly taking Zane’s head. The old man dropped to the ground, then crawled on his belly to escape the strike.

Back on foot, Zane fled. The bloodthirsty sorcerer gave chase. He complained, Taj did, because he knew he could not hold this man forever. He would soon break free. “No time for distractions,” grumbled Taj, abandoning the challenge of Zane. He trekked in the opposite direction, chasing the fleeing slaves. 

A stampede of feet pummeled the grassy plain as the slaves made their way to freedom. Kuyu peeked over his shoulder, and like a rampaging bull, Small Axe was on his heels snorting and stomping. He feared for his father, then slid in the grass.  “Run, Tanna, never stop running, okay?” he said to his little sister. 

Tanna was afraid but the scary giant coming in their direction was even more frightening. She said nothing and continued her run, tears streaming from her face.

“Blood for God!” cried Taj. 

Kuyu dropped his weapon, dug his feet into the soft dirt then tried to tackle the much larger Small Axe. He was easily brushed aside but Kuyu did not surrender. He wrapped himself around Small Axe’s right leg, taking a powerful blow to his back from the stone club. The pain forced him to let go as he writhed. 

Suddenly, the body convulsed violently and Taj’s ghost was ejected from it. It was an exhausting experience for the sorcerer, he had never faced such resistance. The ghost form began to fade from fatigue, having traveled so far for so long. Soon, he was returned to his own body.

When Small Axe regained consciousness it was pure relief, at least initially. Kuyu and Zane each had weapons aimed at him. Small Axe dropped his club, “I am myself again,” he announced. “One of those sorcerers is a bodysnatcher.” The doubt he saw in their faces was heartbreaking, he turned away from them. “He cannot be allowed to roam free,” said Small Axe. “They must die. But your mission is over.” He pointed to Zane. “I will finish The Seven alone.” He retrieved his club and wandered off, seething at the atrocities he was forced to commit.

Zane and Kuyu watched Small Axe stomp towards the temple, knowing the end of their mission had come and now the fate of Naiser was in the hands of the stranger.

9.

Sufi emerged from his dwelling covered in white mud from neck to navel. He left behind his robe, choosing to wear only a loincloth. He came into the temple where Taj kneeled in exhaustion. 

“Strong, hm?” he asked.

Taj nodded. “I swear the man is an elephant, I could not control him long.”

“And Iniko?”

“In the bath, refusing to help.”

“When your strength returns we shall deal with her, but for now we have to find this man-elephant and sacrifice his bones to Apep. Are you well enough for the job, brother?” Sufi offered Taj his hand.

“Always,” replied Taj and the two shook hands.

Sufi and Taj sat on the ground in trance. Sufi spoke a language unheard for eons, not that Small Axe cared. He had come to kill them both and they had decided to share in the misery. He lumbered over, stone mace at the ready but cautious of their magic trickery. 

Small Axe smelled death in the air. Rotting flesh. Flies were too numerous to count. Shuffling sounds. Soulless stumbling. The sorcerers were up to something. He spun around to find dead men standing, reaching for him.

Small Axe recoiled in disgust and disbelief. “What horrors are these!” he cried. 

Dozens of dead had come, answering the call of Sufi. “The Rotten stand with us! The Rotten stand with Apep! We shall crush you!” 

The monsters sprang into action, each one grabbing a different limb and biting Small Axe upon the skin. The man flailed, howling from the bites. He kicked and slammed the creatures, then retreated away from the sorcerers.

Down the staircase Small Axe fled. “They must die!” he said to himself. His stone club was not going to be enough, not for this. As the creatures came for him again, Small Axe searched for a spear and found one on the ground.

Now he was ready to fight. The creatures were skewered in the chest but continued to attack even then. “Killing the dead is so troublesome,” he uttered in complaint. Never did he stop stabbing and clubbing, dropping the dead again and again.

Each time he wacked them, destroying a piece of their face or skull, they just stood again. And so, Small Axe considered a new tactic. He speared the knees. The mobility of the creatures were halved, making them easier to avoid. A finishing blow to the head put them down for good.

Sufi continued to call for aid from the empty human shells surrounding Naiser. Calling from far and wide. 

Small Axe ran through the temple angrily, building up momentum. Sufi opened his eyes to see the large man coming. “NOW, TAJ!” hollered Sufi. “TAKE HIS BODY, NOW!” 

Taj’s ghost rushed towards Small Axe, anxious and greedy to feel such strength again. But, Small Axe launched his spear, just as the ghost attempted to overcome him. Taj couldn’t stop it and was frozen in place. The spear lodged into his chest. Sufi stumbled in surprise. The ghost relinquished Small Axe in attempt to save its own body, but as Taj took his final breaths the ghost form began to evaporate.

Sufi grit his teeth. “RISE, TAJ! THE WORK OF APEP IS NOT YET FINISHED!” Taj’s body began to stir. “RISE, BROTHER! AID ME!” 

Taj’s corpse soon began to stand but it was too late.

Small Axe’s large hands had found Sufi’s throat. He choked the sorcerer who scratched his face in attempt to gain freedom. Small Axe had the strength of a gorilla, and the tenacity and dedication to the kill as a wolf. No matter how he flailed, the only thing which would stop the assault was the cracking of Sufi’s bones. Taj’s body slumped back to lifelessness. Once completely dead, Small Axe tossed Sufi’s body to the grounds as well.

Small Axe took time to breathe. He was not a particularly learned man, but counting was a skill possessed. The Seven was down to one but that one was still in hiding. He began to search the temple. “Where are you sorcerer?” he hollered. The temple had no one alive inside.

Small Axe stepped outside. He looked in all directions, remnants of Sufi’s spell left corpses all around Naiser. Then, he heard something. Faint. Panicked. He walked towards the sound, it got louder as he approached. 

On the eastern outskirts of Naiser, in the forest were none could see, Small Axe found a woman floating nude in water. A hole in the ground, a red robe in the grass. She sang a song, softly, enjoying the night.

Small Axe approached. He saw the discoloration on her breasts and hands, her neck and chin. When their eyes met there was no shame or fear but there was also no surprise.

“I knew if I sang you’d find me,” she said. “I’m Iniko, the last of The Seven.”

Small Axe said nothing. He simply aimed his spear at her. The woman stood in the water, letting it drip the length of her body. “Nothing is forever,” Iniko said, a light tear in her eyes. “Not even The Seven.”

The spear was well on its way until a large man tackled Small Axe from behind. The man worked fast. Stabbing Small Axe with a knife and slicing his arms. The pain was nearly too much to bear. Iniko said: “Hurry, beloved! The man is strong and pain is no deterrent. We can defy Fate!” 

The man was surprisingly powerful. Still, Small Axe was able to catch the man’s arm on the next knife strike, then he grabbed him by the neck. One hand at the man’s throat, another keeping the knife at bay. The man’s other hand punched Small Axe in the face. The two men were like lions clawing one another to death.

Then, a cheap shot. The man kicked Small Axe between the legs. No matter how large, the pain was debilitating. Small Axe tumbled over. Iniko’s joyous excitement, her bright smile urged her slave-lover on. “I knew I could do it,” she said under her breath. “I knew I could defy Fate. Through Apep, all is possible.”

Pain surged through Small Axe. Weariness its chief companion. The man was huge and wide, built like a boulder placed atop a sand dune. Hurriedly, he moved in for the kill. Small Axe managed to reach out and sweep his ankle. The man stumbled and fell. The knife lost in the grass. He kicked Small Axe viciously in the stomach, then searched for the knife. 

Iniko cried out: “NO! DON’T TURN YOUR BACK!”

But he had. Now Small Axe’s arm was underneath the man’s chin, a stranglehold applied. Iniko climbed from the bath, naked, running to aid her lover. She picked up Small Axe’s spear and scampered over, the wood weapon clutched in both of her hands she tried to stab Small Axe to death. Small Axe avoided the strike, and Iniko accidentally speared her man. 

The man saw the spear protruding through his chest and struggled to breathe. Iniko howled, cursed, and tried to console her beloved. “I’m sorry, I’m so sorry…” she cried. His eyes took on a faraway stare, soon he was lifeless. Iniko sobbed. The bloody mass of her lover in her arms, she howled. 

“We are undone!” she cried. 

Small Axe ignored his knife wounds. He snorted angrily. And Iniko saw his eyes filled with rage. She cowered, crawling away from the scene. Small Axe grasped her by the ankle.

“A curse upon you!” said Iniko venomously. “You shall never know peace if you do this to me! I am the Oracle. I see all. I know all. You don’t want to do this!” 

Small Axe dragged her back to bath.

“No. I ca-can be a good wife…” said Iniko. “I can have children! We can have children! We can defy Fate, you and me!”

Small Axe covered the sorcerer’s mouth then dunked her head beneath the water. Iniko kicked and squirmed as any creature would, but no oxygen entered her lungs. Soon, her body was limp, dead. Iniko’s body was left floating in the bath. “Evil witch,” said Small Axe tiredly. “He counted once more. All seven were now dead.” 

By sunrise, Zane, Kuyu and Tanna were returning home. Over half of the slaves had survived the trip. Exhausted or not, they were thrilled to be free. Kuyu and Zane waited for Small Axe at the spot where the village met the open plains…

Waiting for him to come home.

IN HELL

Curse Small Axe! A thousand curses upon his knotted head! One day, I shall crawl from this grave and wring his neck myself!

Curse the day he came to Malia, the day blood dripped from our temple walls. The day the murderer came to our town, wielding the devil’s ornaments. We saw him through the scrying of blood, the eye of the Oracle, as he butchered our guardians—good men all—who stood no chance against a death lord such as Small Axe. To kill this way, the man must worship war and mutilation. To behead us, to skewer us, to deprive us of life – this man is truly vile.

But the blame is squarely upon the Malians, the betrayal of those who owe us their lives and livelihoods. We prayed for them. We put Malia in the good graces of the gods. We deserved their daughters. We deserved servants, slaves, whores, and gold. We deserved more than we ever took from them! How could blessed Malia turn against us? After all the children we baptized, the men we initiated, the charms we constructed to ward off evil spirits, and the Malians invite horror to our land?

Malia welcomed the savage. The homeless traveling dog who dared to storm our temple to take the lives of the Chosen Seven. It was inevitable, to be honest – they are heathens. 

Malia has turned against the gods. To betray us is to ravage one’s own soul. And they have done so, then dared to celebrate! Malia, and all her children, will burn for eternity without our sacrifices. Malia will suffer drought and famine. Death will circle them as a vulture would a corpse. Yes. Malia will be naught more than a sinkhole of dust and rotten flesh without us. 

We brought the gods to them, and without us, the gods will abandon Malia. Hopelessness will ripple throughout the empire!

We braved death honorably. We took our beheadings, our skewerings and being hatcheted to death in stride. Our graves are temporary. A short stop before our inevitable resurrection. Blood will flow through our veins anew one day, and on that day we shall hunt Small Axe as a lion stalks an antelope. We have taken the oath, made the deal with the blacksoul gods to curse the spirit of the savage. 

Small Axe will die.

He shall die so horribly that every mammal, egg-layer, and blade of grass upon the Gold Coast will shudder. No machete. No cattle-hide shield. No coin of silver or gold. No amount of oxen-like strength will protect him. To the Almighty, he does not rank. No matter how powerful the Malians think he may be. He may be able to slay a score of our warrior-guardians, he may slay the seven of us priests, but we were merely mortal. Divine, but mortal all the same. His accountability shall come from Above.

The Malians believe themselves free of us. Free of what? Free of grace, free of mercy, free of peace? They shall not be free of these gifts any longer.

Our souls are eternal, our blessings ephemeral and ethereal. Even dead we scheme — the blacksoul gods perched on our shoulders, offering us a boon of magicks and powers no living being ever accessed. Death has only made us stronger, more focused, full of purpose!

We now know life was never about the gems, the women, the wine, or status, it was about the collection of souls – offering sacrifice and living in service to the gods. Yes. Small Axe offered us a painful reminder, and now we shall return the favor. Only the blessed can achieve what Malia will never have – a second chance. Once scorn, twice cursed, Malia will burn for their insolence!

Professional Hood Shit

Regular readers know I love hip-hop. It’s my favorite medium of entertainment and despite the fact that I get frustrated with the content and imagery at times it will forever be my favorite. My love of hip-hop doesn’t just stop at the music but it extends to battling too. Now hip-hop fans are used to the concept of battles on wax where diss records are exchanged between artists who are competing but what I am talking about is street rap battles.

Street rap battles have always taken place but with the influx of technology they are now recorded and spread throughout the web, shit there are even professional street battle rap leagues. SMACK DVD in the early 2000s, to my knowledge, began the trend of recording and selling street battles between unknown artists. The battles would be added to a dvd entitled S.M.A.C.K (Street Music Arts Culture Knowledge) that featured interviews and other interactions with well known rappers. S.M.A.C.K was used to help the careers of many of today’s artists like Jae Millz, Nicki Minaj, Maino, Cory Gunz etc when they were just local New York artists. Rather they were battling or just kickin’ a freestyle or just doing an interview S.M.A.C.K. gave them an outlet to get their face in the streets across the nation. Here in Detroit it was hard as hell to get S.M.A.C.K. dvds we had to wait for the hustler’s from New York to come to town and even then we had to hope they had a few of the dvds to sell. It didn’t take me and my friends long to become more enamored with the battles than the rest of the dvd. It was interesting to see DMX do a street interview uncensored, drunk, high and whatever else but watching those battles was the real treat. It seems that alot of people agreed and the original S.M.A.C.K dvd format was dropped to focus on the battles.

S.M.A.C.K. dvd disappeared for awhile and was restarted as URL (Ultimate Rap League). URL stages rap battles in the same way boxing events are staged. 2 guys are chosen to battle, they negitiate fees, search for venues, have a production team and the whole nine yards. Despite having better production, contractual agreements and the battles now taking place in venues URL has kept the street feel it had back when it literally took place in the streets. However URL were not the first to make that jump.

For a short time there existed another battle rap league called the Fight Klub. Fight Klub took place in venues and had rules such as time limits, that S.M.A.C.K didn’t have at the time. Fight Klub was wildly popular for a time, so popular that it was picked up and given time on MTV2 as a episodic television show. Unfortunately that didn’t last long and the Fight Klub ultimately folded and was taken off the air.

Street rap leagues started popping up everywhere there were multiple that popped up just in New York. Soon there were rap leagues all over the country that had the basic set up of the original S.M.A.C.K dvds. With the birth of youtube these leagues were able to stretch their talent all over the country by doing this some of the talent of those other leagues began getting spots in URL.

I like to think of URL as the WWE of battle rap leagues. Wrestling being another one of my guilty pleasures i can recognize how both were able to become huge in their respective fields. WWF raided smaller promotions and signed away the talent to exclusive contracts and the promoted the promotion as the best in the world. URL is very similar. URL does not have exclusive contracts which means that talent most known for being in URL can take their talents to smaller leagues and compete with that leagues top guys and make more money. The biggest way URL has become the WWE how street rap is because URL is considered even by competitors (and it’s actually URL’s tagline) “The World’s Most Respected Rap League”.

I will post some of my favorite URL/S.M.A.C.K. battles as well as a few from their competitors to give the reader a sense of how the street rap game has changed and evolved into a business.

Hitman Holla (St. Louis) vs Arsonal Da Rebel
(Newark) (2010)
an example of what URL is today.

Jae Millz (Harlem) vs Murda Mook (Harlem)
great example of what URL was during the S.M.A.C.K. dvd days. I can remember waiting for these dvds to come out monthly.

Iron Solomon vs Jin Tha Emcee from the Fight Klub. This shows how popular and culturally diverse battle rapping has become. Solomon a Jewish guy versus Jin a Chinese emcee. A great battle.

In Defense of Hip-Hop

I recently came across an article on the web written by a guy named Thomas Chatterton Williams the article is called Black Culture Beyond Hip-Hop it was published in the Washington Post back in 07 and its made of the kind of things that piss me off. First the guy attempts to make the argument that its hip-hop that causes the stagnation of graduation rates of black inner city kids. Well firstly he has no proof of such a statement its mindless ignorance. Second there is who knows how many factors that play in why drop out rates are so high. It could be inner city arrest/crime rates, drug usage, inadequate education, too high education standards, lack of support, and the newest one a lack of credible institutions. To blame hip-hop for drop out rates is asinine to say the least. He cites a writer in his column that I would much rather tackle his name is John H McWhorter. McWhorter (black guy believe it or not) is a black conservative “intellectual” who has written books and for the purpose of this topic also wrote a negative critique article on hip-hop.

John H McWhorter is on of hip-hops most out-spoked challengers. In his article called How Hip-hop Holds Blacks Back he points the finger of blame at hip-hop for promoting black stereotypes with a few more added gems. He blames hip-hop for misogyny, anti-social behavior, anti-authority behavior, criminality, over aggression and hypersexuality. He views hip-hop as an assault on the black race that should be extingushed. Well I say all the elements he blame hip-hop for is American. America promotes criminality (The Sopranos, Goodfellas etc…) America promotes hypersexuality (Real World, Sex In The City etc…)Yep America promotes misogyny (anyone notice how the media butchered Hillary Clinton and Sarah Palin? or how women are greatly disrespected in those old gangster movies i.e Michael Corleone slapping his wife in Godfather 2?) Hip-Hop is a reflection of American culture believe it or not. He says hip-hop provides a fatalistic view of the inner city and assaults the mentality of young blacks. I say no song is worse than actually walking past drunks and crackheads on your way to school. The view he speaks of existed before hip-hop because the people’s complaints existed bfore hip-hop.

Bone Thugs-N-Harmony Appreciation

I can remember not being a big rap fan unitl 1994 (I was 10 years old) which was the first time I heard “First of tha Month”. Its a strange story I tell everyone. I didnt start out listening to Nas or Notorious B.I.G. or 2Pac but for me Bone was bigger than all of those guys. I pitched a bitch to get the tape but never got it. I pretty much gave up on it until one Christmas I got a boombox radio and 3 tapes. The 3 tapes were Bone Thugs N’ Harmony “E.1999 Eternal”, LL Cool J “Mr. Smith” and Blackstreet. Of those 3 tapes I burned one out completely, listened to one once and never opened the other. I will leave it to the reader to make the distinction but one thing was for sure the Bone tape barely lasted 6 months before I needed a new one. The biggest hit of their careers “The Crossroads” wasn’t even out yet and my tape had the original version of the song with the same name.

I can remember the first time I played it. The darkness of the music was compelling to me. It didnt have the party atmosphere everything on the radio had. It was dark, gritty and almost scary and when my mom heard someone epeaking in tongues she almost wanted to take it back. I had no real connection to the content, meaning I didnt know what the fuck they were talking about but I knew I liked it. I could only catch some of the lyrics but what I was able to make out I never stopped repeating and I must have played Mr. Bill Collector 400 times a day, which was very hard on tapes with all the rewinding and everything but I didnt care.

I can remember when the Art of War double disc album came out. I didnt have a cd player so I had to hear it at a friend’s house and bootleg it for myself when I got home. This was of the only time I paid attention to a 2Pac verse really I wasnt impressed. However I was impressed with Bizzy and with the intensity and speed he delivered his verse it was juat phenomenal for me as a kid. I didnt like that album as much as I did E.1999 Eternal and this was without knowing what the rest of the world thought about the group at all.

Shortly after Art of War the breakup rumors started because Bizzy was releasing a solo album (Heaven’z Movie). I didnt believe it until I saw the video for his first single Seeing the other members in the video kinda gave me a feeling of relief. Heaven’z Movie was my favorite album for a long time (and its still one of my favorites today) but I still preferred to hear them all together as a group.

Krayzie Bone released a double disc solo album (“Thug Mentality”) in 1998 (I believe) and it was the second cd I ever bought (DMX It’s Dark and Hell Is Hot was the first). I skipped school and went to the record store to get it.I remember played it very loudly for at least 5 hours when I got it. I didnt like it as much as Heaven’z Movie but I still loved it and since I had finally stepped into the cd game I could play it all day wihtout worrying about rewinding and fast forwarding.
It would be a long time until the next Bone album which was in 2000, I think BTNHResurrection. Which was in my opinion a great album. I wont continue to go forward with how I felt about each release because I burned pretty much all of them out within a year.

The important thing I wanted to get to in this blog was not that I am a huge Bone mark but that my love of all music came from my love of Bone. The harmonizing, which dudes swear they hate, was started with Bone. Buddah Lova’z was almost completely sang and it was released in 1994-1995. About 7 years before swaggerjackers like Nelly and Ja Rule would be doing duets with Ashanti. About 10 years before characters like Drake would be making Teen Beat/Heartthrob hip-hop, yet Bone doesnt get any respect for it.

Granted Bone was more style than substance. Which means the delivery and cadence was more important than lyrics but the lyrics werent wack by any means. I mean no Krayzie Bone isnt Nas but hes not wack either. Bone has a style so unique that they can do songs with Phil Collins and still put together dope shit with street rappers like The Game. No other act in hip-hop history could mesh well with Mariah Carey and 2Pac but Bone.

The creativity of each individual member in itself was insane. You have Krayzie remaking Aaliyah’s If They Only Knew and creating the same vibe. Let’s not get started on how Krayzie alone can take an R&B song from wack folks like Ciara and make something completely new and hot.

So even though the group is feuding…again. And Krayzie has left the group a long time fan like me will still support even if the mainstream continues to ignore them and not see what they brought to the game. “Black hippys” like Curren$y, Wiz Khalifa (which the majority of his album Rolling Papers sounds like commercialized Bone album)should pay homage. Harmonizers like Chamillionaire, Drake, Lil Wayne and Nelly should bow down to the almighty Bone Thugs N Harmony.

Album Review: Rick Ross God Forgives, I Don’t

album cover
“Rick Ross” the star-maker, hottest MC in the game (arguably) brings his newest offering God Forgives, I Don’t.
The traditional MMG sound is in full effect, complete with street records and radio friendly girly songs.

Bringing some big name features to the table is another staple in the “Ross” formula, however it only works for him twice on this album. 3 Kings feature Dr. Dre & Jay-Z falls flat due to an uninspired Hov verse. It has plenty of redeeming qualities but one can’t help but say its a let down.

Sixteen featuring Andre 3000 is an absolute gem. Everything comes together on that record and A3K brings more of his abstract lyrical musings and adds some singing on the hook. Andre ultimately becomes the album’s MVP to the chagrin of the album’s star.

When it comes to content “Ross” doesn’t vary at all, its the same topics from beginning to end and after awhile (bout 10 songs in) I kinda clocked out and it became background music. The street records were welcome wake up songs but after that it goes into the girly records and its sleepytime again.

It failed to engage me all the way through. “Hold Me Back”, “So Sophisticated” & “911” was a nice change of pace in the middle but then it goes right back into his more formulaic sound. The street records were blocked here and maybe they shouldn’t have.

It doesn’t have high replay value to me but its not a bad album, I see how hardcore fans would love it, because its on par with the rest of his material but maybe that is a problem because us casual fans are pretty much “meh” on it altogether. It has what you would expect from “Ross” but adds nothing new to his oft-storied career.

Standouts:
**Sixteen:
A3K was a blessing to this album. He managed to bring something new, it was a more engaging verse than “Ross” himself spit. I also like the premise of the song and the hook was interesting.

**Maybach Music IV:
Smooth as usual and “Ross” is in his zone on this one as he usually does on his “Maybach Music” song series. Ne-Yo plays co-pilot but its almost a complete retread of the other ones however.

**3 Kings:
Only really a standout because of Dre & Hov but neither really bring the heat. Dre just isn’t that good a rapper and Jay-Z seemed aloof in his verse. Its a track you get “up” for (as in you look forward to it) but the execution lacks a bit.

**Street Records:
So Sophisticated, 911 & Hold Me Back are all thumpers that will, as Mannie Fresh once bragged “Knock pictures off the wall”…if your sound system is strong enough. They are high energy, shit talking, bangers in the same vein as BMF from his earlier album Teflon Don.

Weaknesses:
Like I said it fails to engage all the way through, its zone out music but I’m not exactly sure you want the audience to zone out as much as a casual fan would for this album.

“Ross” lyricism is the same ol same. Not much variation on his voice or flows with the exception of the street singles. On those tracks he’s not as laid back but more aggressive and forceful perhaps more of that was necessary on other records.

Content is also the same old same. Luxury rap is fine because its what he does best but it got boring after awhile. It seems like some of his verses could be interchanged in other songs and not lose the integrity of either song.

Final weakness is structure. The blocking of songs like the “girly”/trickin songs near the end was a bit of a turn off. This may be a personal slight because I can’t stand trickin/girly records with RNB singers and stuff like that but it takes away from the album to me.

He also blocked the street records in the middle which gives you able 15 minutes of energetic rap but then it goes back to being smooth and non-threatening. By spreading all these out he could have made an album that breaks up monotony in certain places.

All in all I gave it a 71% (regular; 75% deluxe) so its an enjoyable album from a casual standpoint but replay value isn’t there and playing it all the way through more than twice is not likely. Some tracks you will find yourself playing all the time, others are just white noise. A casual fan should find plenty to enjoy and a hardcore fan should be happy with the overall project.

Album Review: Curren$y The Stoned Immaculate

album cover

Musically comparable to anything on the radio or television today. Curren$y doesn’t deviate from his topics at all, he speaks strictly about money, luxury items [armoires, cars, etc] and women.
The music is diverse, yet oddly similar and it holds fort throughout the entire album, even though as you listen to the record you get deja vu multiple times. Its a simple and basic formula that he uses throughout the album that both helps the project and hurts it ultimately.

Sonically impressive and lyrically pedestrian is the hallmark of Curren$y’s career thus far. The guy has a great ear for sound, he also has a knack for networking and bringing in top notch assistance when needed. The problem is most of his features are just names, few add anything of note to the song they feature in.

Wale brings the best performance of a featuring artist, unfortunately he’s in the first track (What It Look Like) and there are 12-15 others. Marsha Ambrosius brings some spice to Take You There as does Estelle to That’s The Thing and Pharrell on Chasin’ Papers.

Curren$y brings his usually homies to the dance too. Big KRIT lands hook duty on Jet Life while Wiz Khalifa comes mushy on the two records that feature him (No Squares & Jet Life).

2Chainz drops a humorous verse that leaves the listener with the only memorable line of the entire project (“pockets on Rick Ross…WOOOP”) which parodies one of the MMG Boss’s ad-libs. A random Daz Dillenger feature on Fast Cars Faster Women closes out the list of medium to big name features.

Playing the album from beginning to end seems like a chore. Some tracks have high replay ability, are catchy and smooth (What It Look Like, Privacy Glass, JLR) but others leave the listener wondering if that track wouldn’t have been better off on the cutting room floor (Showroom, Chandelier & Sunroof for instance).

The album is engaging sonically because the sounds are different. Some of the hooks stick with you when the song is over (Armoire, No Squares for example), however the lack of true lyricism means the audience can just kick back and let it ride, opening the opportunity to become bored with the project.

A casual Curren$y fan can easily say this is his masterpiece. Its the best project he’s put together and that he’s finally achieved something that justifies the huge buzz he had back in 2008. But it is 2012 and this album sounds way too inspired by the “Rick Ross”/MMG sound that has dominated rap the last few years.

Despite what seems like a rough review it is a good album, and is highly enjoyable in small doses and the standouts are true gems but playing it all the way through is not suggested for casual fans and fans of lyricism will not be happy at all. But if you like the MMG style this album comes suggested as he does MMG’s thing a little better than some of the members of the MMG squad does.

The rating is pretty high I give it a 76% (regular version; 75% deluxe version) and there are plenty standout cuts on the album. XXL magazine gave this album an L (large) which I think is a pretty fair grade.

Standouts:
**Armoire–
A thumping production that immediately makes the head nod. It comes off very majestic but the hook brings it back to the block (“this rap shit just my hustle baby we paper chasin'”).

A fun, guaranteed bounce record made for ringtones and deserves a video (if one doesn’t already exist).

**Chasin’ Papers–
A smooth but bumping production that’s attractive to the ears. Pharrell brings a fairly decent singing style hook even if the hook itself isn’t that creative. Singing in the style of the Chi-Lites “Oooh Child” brings a bit of humor to the track.

**No Squares–
Bumping attention grabbing production and Curren$y delivers his best verse of the album (verse 1). The elitist hook: “No squares shall enter in the circle of winners” coupled with Wiz’s braggadocio brings a style similar to mixtape Spitta from back in the day.

Weaknesses:
Uncreative-
It sounds like an MMG production and a heavy usage of the same styles come off as a knock-off.

Lack of lyricism-
Of course this is going to be a give considering Curren$y is not a lyricist.

Content-
Curren$y never moves, in fact he doesn’t even pivot from his position on talking about money and broads. Eventually that gets tiresome.

New York Niggerblockers

phil mushnick

Whoa, here we go again…
Let’s just jump right into it. A white writer for the New York Post by the name of Phil Mushnick, decided to play shock jock for a second and criticize the changes in the New Jersey Nets these were his words (via Villiage Voice blog):

“As long as the Nets are allowing Jay-Z to call their marketing shots — what a shock that he chose black and white as the new team colors to stress, as the Nets explained, their new “urban” home — why not have him apply the full Jay-Z treatment? Why the Brooklyn Nets when they can be the New York N——s? The cheerleaders could be the Brooklyn B—-hes or Hoes. Team logo? A 9 mm with hollow-tip shell casings strewn beneath. Wanna be Jay-Z hip? Then go all the way!”

Later on the Villiage Voice posted an updated version of the story with this guy’s “explanation” attached, as usual the “explanation” was little more than a rationalization but for our entertainment check it out:

“James – did you actually read what I wrote and what I’ve been writing for 30 years? I don’t call black men niggas; my kids never heard the word until folks such as Jay-Z came along. I’d suggest you talk to him about it. What I wrote today was on Jay Z’s artistry, and only the wishful and foolish would so badly misinterpret and mischaracterize it as you plan to do. Thanks -mushnick.”

Ever heard of the techniques of neutralization? If not they are ways that criminals defend themselves whenever they get caught doing something wrong. There are several different techniques but the one that matters the most right now is the “condemn the condemners”.

Condemning the condemners is simple to understand, basically you are attacking those who criticize you, basically calling them a hypocrite.

He attempted to shift blame from himself to Jay-Z. His “criticism” of Jay-Z’s artistry, as he puts it is so well rooted in racism and stereotypical nonsense it can hardly be called anything other than a bigoted rant by an upset white writer.

Of course he pulled the old “misinterpret” argument out of his ass to try and cover himself. I mean Jay-Z DID say he wanted to call the cheerleaders the “Brooklyn bitches” didn’t he? Wait, no he didn’t. Jay-Z also didn’t say anything about 9MM logos either, all this all came from Mushnick’s brain (how apropos that his name features “mush” apparently that’s what his brain is made of).

I’m not as quick as others to call Mr. Mush a racist or a bigot but its obvious he has a problem. As a middle-aged white man I’m sure he holds some frustrations that his children listen to Jay-Z’s music, which is petty to say the least. Because the kids like something you don’t you have to ridicule the man for no reason? Grow up Mushy..please for your sake.

I also don’t get upset over white folks using the word “nigga/nigger”, I assumed they all do anyway. I don’t want my fellow brothers or sister getting all riled up because the N-bomb was dropped, what they should be upset over is the fact that Mushy made all these “suggestions” despite Jay-Z only owning about 1.5% of the team (according to Forbes).

That’s right, Jay-Z is a minority owner, Russian billionaire Mikhail Prokhorov owns about 80% of the squad but Mushy didn’t say that the Nets logo should be the hammer & sickle and the colors changed to red & gold from Russia’s old communist days or that the AK-47 should be the logo (considering the AK-47 was invented by a Russian arms maker), nope he singled out Jay-Z to ridicule, for what purpose?

I suppose only Mushy knows for certain but at the end of the day, let’s not call for Mushy to be fired because he dropped the censored N-bomb on the Nets but let’s give him hell for being an idiot and being what Huey from The Boondocks would call him an “irresponsible white person”.

Let’s attack him for being too cowardly to call out the Russian billionaire who is the majority owner and ultimately the decision maker for the team and finally let’s all go outside the New York Post offices blasting Jay-Z hits at absurd levels of volume, the most fitting for the moment being “Can’t Knock The Hustle”.

Let’s not be so quick to call Mushnick a racist but let’s be quick on the draw to call him out on his bullshit, mainly because there’s so much of it.

Jay-Z Nets jersey

Choices and Responsibilities

Too $hort

I am just now seeing this interview conducted by hiphopdx.com and Too $hort. It creates a helluva predicament and honestly forces me to confront

In the interview, Too $hort tells out how Jive Records CEO Barry Weiss promised to back a politically conscious Too $hort record in exchange for a extremely raunchy album.

$hort put the whole situation into context. Hip-hop was moving away from the conscious content of the 80s to the explicit material of the 90s. $hort is known today for his outlandish persona glorifying pimp-dom and limiting his vocabulary to “bitch”, “dick”, “ass” & “pussy” for the most part.
However Too $hort’s first major hit was “The Ghetto”. A track about, well, the ghetto. Over his career $hort managed to sprinkle more conscious material in his albums apparently much to the chagrin of Jive Records.

As $hort explains:
“I’m not gonna blame this on anybody, but I was actually being pushed into a direction where I would talk to people at Jive [Records], I would go talk to the President, Barry Weiss, and he was like – I always wanted to do these [side] projects… [But] they kept making excuses and so it never got done.

I wanted to do an album that was filled with songs like “The Ghetto,” “Life Is…Too Short,” “Money In The Ghetto,” “I Want To Be Free.” I wanted to do a whole album of positive Too Short songs, just to keep that balance.

I had made a verbal deal with Barry Weiss, where he was like, “Right now would be the perfect time, you should do like the raunchiest Too Short album ever – the album cover, the songs, just do a dirty fuckin’ Too Short album.” This is the executive running the company advising me to put out an entire album of just cursing and sex.

So I’m like, “If I did that I’d have to then do the exact opposite and follow-up that with an album that’s all positive.” And so, I did the album for him, we did You Nasty. I thought it was a funny idea at first – we had like a porn star on the cover,

I’m naked, the girls are naked and we really did a butt- naked photo shoot. And it got a gold album and all that stuff. But when it came time to do the positive album, it was never a good idea. It never got the green light. Once I did what they wanted, they would never let me do what I wanted.” (http://www.hiphopdx.com/m/index.php?s=news&id=18861)

$hort made a deal. A deal for which many have given him hell. Too $hort played on the stereotypes and the imagery of Blacks as oversexed, money hungry, goons. Some would say that because of his position in the game as an influence to more than a generation of MCs that he made a decision extremely detrimental to the Black community.

As people shake their monkeys, blow their whistles and try to say “bitch” like him, they totally have no idea this other side of Too $hort exists. Too $hort will forever be known as one of the most vulgar artists ever and perhaps that is not what he wanted.

But all that begs the question: “did he do the right thing?”

There are two or three ways of looking at that. On one hand, as a Black man in a position of influence, maybe he had a responsibility to be more positive and made sure to get that positive message out there. On the second hand, as an employee he was being charged to make what the label wanted him to make. In a purely business sense Weiss wanted what would be assured to make Jive money. And finally the perspective of Too $hort the individual, a man who needs to provide for himself.

On the flipside of those are a few questions. One of which is “What responsibility does Too $hort have to the Black community?” Nobody voted Too $hort President or Senator of the Black community and he has no responsibility to uphold any image of Blackness. But at the same time he helped to create such a negative image of Black males that has permeated the industry and many younger individuals for decades.

Another question is: “Wasn’t Too $hort’s real responsibility to Jive?” Short answer (no pun intended) is yes. Jive is the church in this instance and $hort would be fuckin up the church’s money by refusing to produce the content they want. To be honest Weiss didn’t or shouldn’t have had to make a deal with Too $hort to get him to make the material he wanted him to make. $hort was Weiss’ employee…period.

Too $hort, the individual, the man himself is Too $hort’s responsibility. The explicit nature of his music has sustained him for decades and created one of the pillars of the hip-hop community. Could a more politically conscious Too $hort have had such longevity and impact? There’s no telling, but the fact that it is 2012 and Too $hort still makes extremely explicit music (his new song is called “Porno Bitch”) means that Too $hort the artist, is making the music he wants to make.

$hort’s case is one that also forces people to come face to face with the music industry. Recently hiphopdx.com did an interview with Chuck D and his response is to check the system of people and institutions involved:

Chuck D: “…Barry Weiss should be on blast then. Barry Weiss is the son of [former Stax Records executive] Hy Weiss. I mean, things is like – Forget a corporation, I think when you have a problem with somebody you should put that person on blast. You should put their family on blast. [Laughs] You know, the whole nine.

If you feel like your family’s on blast, put their family on blast too. Forget Jive Records, [put] Barry Weiss [on blast]. And Barry Weiss should be the person that answers to the community, and if Barry Weiss comes out and says, “Well, yeah, I told him to do that, and fuck Black people,” then the next step is whatever, if anything at all. But at least you get right to the source, you get to the core of it. ”

Chuck D also believes that the industry and the political system of the country has allowed people like Weiss to wield immeasurable power over artists:

Chuck D: “The consolidation of radio stations was like the worst thing ever done to music.

And, look man, conscious record versus unconscious record, political record versus street record, that’s a bunch of bullshit really. [On an artist’s album pre-consolidation] there were always two to three songs for the hood, for your mom’s or whatever – by every artist. I think when it became formula to continue to just cut joints and you’re pressured to sell – Understand this, niggativity has always been popular and has always been a money-maker in America. Blacks [being degraded and] looked upon at our lowest has always sold – just like slavery itself – more than something that happens to be high standing on its own two feet … to this day. So we shouldn’t be surprised if somebody makes a conscious move to make a quote-unquote positive record and that doesn’t fly out of the record stores, and you make something that might just be talking about stripping or drug-dealing in the year 2012 and it happens to rise because it [works] in the club. I don’t think it’s unfair to measure the music by its quantity instead of its quality …. And too often Rap music and Hip Hop is weighed in bubblegum type standards.

Chuck D.

The situation is much deeper than Too $hort, he is just one of many. As a influential artist he had the ability to take a stand against Weiss and the industry but instead he buckled and was rewarded with boatloads of money and the adulation of several dozen young rappers. Perhaps it would be unfair to call $hort a sell out, perhaps it would be appropriate…who knows?

The conversation on how people (both artists and consumers) can take back their power over creativity and consumption continues. Whether its Too $hort vs Jive or Lupe Fiasco vs Interscope, artists will continue to fight for control over their art.

Seeing The Light

Simply put Common’s “The Light” is by far Hip-Hop’s greatest love song. I know some people prefer the R&B laden tracks like Method Man & Mary J. Blige’s “All I Need” but for my money, the song that best tells someone how you can possibly feel about them is “The Light”.
Common & Erykah Badu
The song not only has a dope message but its deeply romantic and somewhat mushy without being overly soft. It manages to straddle the fence of love letter and hip-hop record. At times it leaves the listener unable to tell whether Common is portraying his real feelings or is it just a song.

I love samples and “The Light” boasts a fantastic sample of Bobby Caldwell’s “Open Your Eyes” but the lyrics….man the fucking lyrics are so deep that I can’t believe any human being could resist repeating them to someone he cares about. The song is sonic magic.

But the song wasn’t enough for Common apparently. Now let me preface the following statements: I don’t gossip, and this isn’t a celebrity gossip blog but apparently Common & Erykah Badu (who is equally awesome) were dating during the time the song and video were released (I’ve always believe Erykah was the silhouette in the video). Now if their relationship didn’t work out and she was the muse for this record then love aint real…..period.

Check out what this nigga Common said:
“It’s important, we communicate
and tune the fate of this union, to the right pitch
I never call you my bitch or even my boo
There’s so much in a name and so much more in
you//

Few understand the union of woman and man And sex and a tingle is where they assume that it land But that’s fly by night for you and the sky I write For in these cold Chi night’s moon, you my light//

If heaven had a height, you would be that tall
Ghetto to coffee shop, through you I see that all//

Let’s stick to understandin and we won’t fall
For better or worse times, I hope to me you call//

So I pray everyday more than anything
friends will stay as we begin to lay//

this foundation for a family – love ain’t simple
Why can’t it be anything worth having you work at
annually Granted we known each other for some time It don’t take a whole day to recognize sunshine”

Are you serious? The nigga said “If heaven had a height you would be that tall” if a nigga didn’t hypnotize the pussy permanently saying shit like that then a nigga like me has no chance.

Now I know Erykah isn’t the normal chick and she probably dealt with poetic characters like Common often but not only does the relationship falter but nobody even recognizes the epicness of the song itself. Regardless of the failure of Common & Badu’s union the song beats any Hallmark card I’ve ever read…bar none.

Very few love songs I’ve ever heard, in any genre can compare to that record. I just wish it were better received and understood. I don’t believe people even think about each other like that anymore. A love song today is pretty much is relegated to ……well what love songs?

More of these records need to be made. It kills me that a song so epic could still fail at its intended purpose and not only that but fail to be considered one of the all time greatest love songs EVER. Maybe niggas prefer “Buss It Baby” or whatever else hoodrat shit is being made today to flawless record like “The Light”. Maybe a lot of people just look over the song (much like they look over the artist that made it) but one day it will be done again. Like the man said “it don’t take a whole day to recognize sunshine”.

Erykah Badu & Common

My Hottest MCs List vs MTVs Hottest MCs List

Okay here’s MTV 2’s list of Hottest MCs of 2011:
10–Wale
9–Wiz Khalifa
8–T.I.
7–Meek Mill
6–Jay Z
5–Lil Wayne
4–Nicki Minaj
3–Kanye West
2–Drake
1–Rick Ross

Incredibly shitty list I’d say. Let me first say I have no problem with Rick Ross at #1. Dude has been on fire the last 2 years or so and even though I’m not a fan a nigga can’t hate on that. So my critique will start at the bottom half.

Firstly, what the fuck T.I. doing on this list? What the hell has he done? I don’t even remember him dropping anything in 2011 so he should be ousted off top. Wiz Khalifa fell off very early, I don’t think he deserves to be on the list either honestly. There’s no point of those two being on anyone’s “hottest MCs” list when the shit they dropped (if anything) wasn’t memorable at all.

So who would I add? Well not exactly in their spots but I’d add 2 Chainz, Big Sean and J. Cole. All three of those cats did their motherfuckin thang in 2011.
J. Cole was nominated for Grammys he also dropped a #1 album, Big Sean surprised everyone by making at least two major club hits with “A$$” and “Marvin Gaye and Chardonnay”. 2 Chainz, while being nonsensical lyrcially, has been bubbling uncontrollably on the streets. The nigga even had me listening to his shit!! “Spend It” was arguably hotter than anything T.I. did in ’11 period.

So now we come to the rearranging part. Quite frankly all the Young Money artists are too damn high. Nicki is garbage, steaming garbage but she’s popular and thus maybe earned a spot on the list. Cupcake Drake deserves to be there for “I’m On One” alone. But above Wale? Shit no. Wale made “Lotus Flower Bomb” the song that niggas are still playing in February of 2012. He also made the song “That Way” with Jeremih (if that’s how the nigga name is spelled, if it aint fuck ’em sue me). I hated both those tracks by the way, but they were big hits (for Wale) and played all year long, so how Nicki and Cupcake got above him is beyond me.

The true shaft is given to Jay-Z who fell in at #6 and Kanye West who came in at #3 despite “Niggas In Paris” still being in rotation and “No Church in The Wild” being used in the trailer for Uncle Denzel’s new movie “Safe House”. If fuckin’ Denzel Washington is using your songs in a movie trailer you hot…period, Unc said so. Jay-Z should be linked with Kanye, I mean it was a damn collabo album.

Meek Mill is meh, he had a lot of appearances. Featured on “2Pac Back” and a few other MMG records that came off as very Rick Ross heavy cuts. He did his thing and yes he gained some notoriety but I don’t believe he gained that much.

Lil Weezy sold a million in a week that alone = hot. But Wayne also made no real splash other than selling a lot of records. He did what Lil Wayne does: make disposable music that plays for a month or two and then is kind of chucked to the side.

So here’s my list:

#10–Meek Mill
(give Ross the lion’s share of the credit for his success)
#9–Nicki Minaj
(*sighs*)
#8–2 Chainz
(had the mixtape scene on SMASH, it was a travesty that he wasn’t mentioned)
#7–Big Sean
(nigga made 2 big time hits and if I remember correctly had a #1 album)
#6–J. Cole
(nominated for a fuckin’ Grammy AND had a #1 album)
#5–Wale
(made 2 hits, got all the hoes claiming they got “ambition” and had a #1 album)
#4–Drake
(the hook for “I’m on One” was kinda raw, no hate)
#3–Lil Wayne
(sold a milli AGAIN)
#2–Jay-Z & Kanye West
(Uncle Denzel says so)
#1–Rick Ross
(no hate that nigga made Wale & Meek Mill household names)

Now that was changing MTV’s list.

My honest list wouldn’t feature 90% of that roster.
MTV’s commerical bias and lack of knowledgeable people in the voting process destroy their credibility.

In reality A$AP Rocky, Kendrick Lamar, Tech N9ne, Mac Miller, Pusha T, Royce Da 5’9″, Yelawolf, Fabolous, and Killer Mike all made better material than Nicki, Wale, Mill, Drake, Wiz, T.I. 2 Chainz and a lot of other people. However we know that unless they hear you everyday on the radio you not “hot”.

That bias invalidated MTV’s list and my own to some extent. However I know that there are guys out there that have made major progress in 2011. Tech N9ne was probably a virtual unknown outside his very large underground following but after dropping a verse for Little Weezy’s album and heating up BET’s cypher for their hip-hop awards combined with putting out a solid LP in All 6’s and 7’s, people should have their eyes open now.

Royce’s resurgence with his long time buddy Eminem for their Hell: The Sequel under the name Bad Meets Evil is a triumph unto itself. Lyrically superior to Kanye & Jigga’s Watch The Throne but not nearly as commerically successful “Hell” is still a great album, worthy of acknowledgement. Then Royce doubled up and dropped a solid solo LP Death Is Certain capitalizing off of the newfound mainstream attention.

Royce & Tech are veterans of dropping unappreciated albums but Kendrick Lamar & Mac Miller aren’t. Kendrick Lamar gained a small name for himself dropping mixtapes and finally dropped an impressive street album Section 80. Mac Miller has been flying under the radar most of his short career but raised plenty of eyebrows with his successful independent album Blue Slide Park. Both of those artists are on the rise, maybe they wouldn’t make a “hottest MCs” list but they have grabbed attention in 2011.

A suggestion for the MTV crew: at least acknowledge some of the talented guys who don’t make your lists. Stop giving spots to guys based off of “name value” *coughT.I.cough* and get some fuckin’ DJs on the panel, get people who listen to stuff outside the radio, get people who are familiar with hip-hop on a deeper level and maybe your list wouldn’t be such green dog shit.